Description
Advanced Audio CM87se
The CM87SE came about because a fellow engineer asked us if he could use the CM87 (discontinued) in close on drums in a “Glynn Johns” type set-up where the microphones are less than 2’ from the closest drum or cymbal source. To accomplish this we fit a more complex output transformer with dual windings and bi-metal lamination’s that is able to handle more easily the fast rising drum transients when placed close to the drums.
The CM87SE in all other aspects is identical to the CM87 (discontinued). It is a large diaphragm fet three pattern condenser microphone that features our double-diaphragm/double back-plate 6-micron AK67 type capsule and Class “A” transformer coupled amplifier design. It is well suited for recording vocals or instruments in any studio or live application and able to capture the drums at very close distances.
The CM87SE is built to a very high standard and offers a remarkably full yet well-defined and ultra-clean sound. We fit the more sophisticated output transformer here in our shop, and the CM87SE goes through a more rigorous level of QC.
The CM87SE can be configured as either omni, cardioid, or figure-eight via a front mounted metal toggle switch.
The CM87SE has 14db more headroom than traditional fet/transformer circuits.
Specifications:
35mm capsule with dual 6-micron center-fed diaphragms
Class A fet/discrete transformer-coupled circuit
dual bobbin transformer with bi-metal laminations and 2.25:1 ratio
3 patterns selected via a front toggle switch (omni, cardiod & Fig-8)
100Hz roll-off, switched from the body
-10dB pad, switched from the body
Maximum output +19dbu
Frequency response: 25Hz to 20kHz
Noise: <12dB (A-weighted)
Distortion: 0.5% @ 128dB, and 0.5% at 138dB with -10dB pad engaged
Impedance: <200 ohms (load impedance < 1.2K)
48V requirement
Robust shock mount
Aluminum road case
Jacquire King –
“AA microphones have immediately taken a place in my mic selection for tracking. They’ve been used to recording everything from drums to vocals. I’m able to make micing choices based on my preferences for their older counterparts and have very similar sonic result. The character of each AA microphone is true enough to it’s inspiration that it’s easy to achieve the sound I know I want without the need to use much in the way of EQ. With a price much lower than vintage or other boutique mics, they are an easy choice.” Kings Of Leon – “Come Around Sundown” cm47se – BGV’s, bass amp cm12se – violin, piano, key amp, wurli cm87se – guitar amp 414 – B3 organ (leslie) Cold War Kids – “Mine Is Yours” cm47se – BGV’s, bass amp cm12se – key amp Jacquire King – Grammy Winner / Producer /Mixer / Engineer